SOMEWHERE SOUTH OF SUEZ

A Novel

By

Gene C. McCoy

CHAPTER 5

On Tuesday morning they were all up early. Maggie dressed herself in a khaki safari outfit that she had picked up in a boutique in Nairobi on their way out to the post, then dug out a pair of riding boots that she had not worn in years. As she looked at herself in the mirror she gave approval to her appearance, and she hoped that Antonio would do likewise. Then, as a last touch to provide color and a feminine contrast to the monochromatic, masculine khaki, she tied her shoulder length blond hair back into a pony tail with a red scarf. Placing her Kenya beach basket, in which she had loaded her gifts, in the trunk, she then put Kathy and Amina in the back seat and Steve rode beside her in the front.

Picking and weaving her way through the traffic, they crossed town, passed through the old section of Hamar Uin where mud and wattle shambas housed the poorest of the natives, then turned away from the sea to inch their way up a hill that led to the main highway out of town. It was a nerve wracking experience to negotiate a car through the confusion of stray animals, people, donkey carts carrying five gallon cans of water, tinny red and yellow three-wheeled scooter taxis and overloaded trucks that crawled along the road; she breathed a sigh of relief when they reached the top of the hill and turned onto the foreign aid financed dual highway leading to the airport. A mile down Airport Road she turned onto a narrow obsidian ribbon of roadway that knifed straight south into the bush toward the villages of Afgoi and Afmadu in the river country.

Within seconds they were beyond any traces of the city, and even though it was still early morning the road was blurred by the heat waves rising out of it; there was a clean fresh smell in the air, though, and on both sides of the highway the flat, windswept African plains covered with thorn trees and a thick undergrowth of prickly scrub brush stretched into infinity. The vast expanse of the African countryside was so overpowering that she felt as though she could see the curvature of the earth, and the solitude was so pervasive that it left her with a sensation of humble, powerless impotence and awe in the sight of her Creator. Everyone, even the children, remained silent as though they each were aware of their own insignificance as they raced down the road, and the feelings that welled up in her chest were almost like a meditation.

Periodically, they came upon a solitary tall, lean Somali striding silently along side the road, bare-chested, a stick in his hand and a dingy gray muslin sheet-like cloth over his head to protect him from the sun; several times they passed caravans of nomads.

Headed south to follow the rains into the Northern Frontier District of Kenya, the nomads walked beside their columns of camels and herded their goats and sheep ahead of them. On most of the camels they had loaded a conglomeration of animal skins and sticks which were used to set up tents at the water holes where they encamped along their way, while others carried a primitive leather harness into which were fitted hand carved wooden jugs to carry cooking fat and the camel's milk on which the nomads could survive for weeks at a time.

Unlike the inhabitants of the city the bush people and nomads paid no attention to the white-faced foreigners who sped along the road in their air conditioned cars, nor did most people in the cars think much or long about the nomads. Other than their shared humanity there was nothing in their minds in the way of frames of reference from common experience, that would allow either to understand or identify with one another. The bushmen trudged impassively along, staring straight ahead; with mouths pulled open and their eyes twisted from centuries of squinting against the fiery African sun, their faces carried an expression of permanent grimace.

As Maggie approached the river country, the thorny brown bush yielded to occasional plots of temporal, unirrigated, cultivated farm lands where, so long as the rains came, enough corn, sunflower and sorghum could be produced to keep a family alive. In the distance she could see a low strip of green that was the margin of the zone where thick jungle foliage grew out of the black soil and muddy river waters.

Stopping the car, Maggie consulted the map which Antonio had given her, then continued slowly until they arrived at a ramshackle tea house beside the road. Groups of wild looking, wooly-haired, bushmen squatted on their haunches in small circles drinking tea, and paid no attention to her when she turned off the highway onto a graded dirt road that ran beside the tea house to cut across rice paddies toward the river and fields of broad-leafed banana trees.

Several minutes down the road, a cloud of dust in the distance warned her of an oncoming vehicle, and she slowed then pulled to one side to allow a truck, heavy laden with bananas, move slowly past her. The black-faced driver smiled and waved his thanks, and on the door of the truck she read the name of the owner, Antonio di Paulo, printed in an elaborate, old Italian, script.

Never in her life would she have considered making this trip alone in such a hostile and alien country, and she was conscious of how great was her need to see Antonio. Just the sight of his name on the side of the truck was reassuring to her as she put the car in gear to drive on.

Once inside the fenced perimeter of Antonio's property the appearance of wild, uncared for virgin land disappeared. The road was bordered on both sides by flame trees which grew up to form a lush verdant tunnel with a ceiling like a tapestry of dark green with splashes of the red and yellow flamboyant flower that grew out of the trees. The majesty of both the trees and their flowers were accentuated by the background patches of blue sky above them, and on both sides were the long carefully cultivated rows of banana trees standing, heavy with fruit, in the rich black river soil.

At the end of the tunnel the road opened on to a large clearing shaded by mango trees and surrounded with flowering purple bougainvillaea and red hibiscus plants, all neatly bordered with whitewashed rocks. On one side of the big square yard stood an old, whitewashed, thick-walled, Mediterranean style farmhouse in good repair, and freshly trimmed with green enamel.

As she pulled her car into the clearing, a Landrover turned in from a service road that led in from the opposite side. Antonio was behind the wheel, and he pulled the vehicle to a stop in front of the house, then jumped out to indicate with his arms that Maggie should pull her sedan along side him.

Walking to her side of the car, he opened the door for her. "Good morning, Mahgee. I could see the dust as you were coming in, and I came rushing to receive you. I was waiting here for you, but we had trouble with one of our cows who was birthing a calf, and I had to go out and help her along."

"I hope she's alright, Maggie replied and climbed out of her car.

"She'll be fine," he said and kissed her hand. "I can see that you had no trouble finding the place. How was the trip?"

"No trouble," she replied and stretched her body, then carefully smoothed her jacket and trousers. Running from the other side of the car the children came and stood self-consciously beside her.

"So these are your children," Antonio said. "They are very handsome."

"Yes, this is Steve, and this one is Kathy, and her ayah, Amina. Say hello to Mr. di Paulo, children."

The children offered their hands to Antonio and he took each one and shook it, then spoke to Amina in Somali.

"Do you really have a cheetah, Mr. di Paulo?" Steve asked.

"Yes and in a few minutes you can see her," Antonio replied.

"She won't bite me or eat me up, will she?" Kathy said with apprehension.

Antonio leaned over and picked her up in his arms, "No, never. She's just a big kitty, and she loves little girls. She loves to have her ears scratched."

"What would you prefer, Mahgee? To have a look around the place or first take a coffee?"

"For my part I could use the coffee," she said, "but I imagine the children are anxious to get going. They never tire, you know."

"Then if you don't mind we can send the children and Amina along with my head man, Ali, and we can take a coffee." He put Kathy down next to Amina, but she moved to stand closer to Antonio.

"Will they be safe?" Maggie asked.

"Of course, mother," he replied and smiled at her. "There's no danger here so long as you are careful, and Ali is very cautious. He has children of his own."

"Alright, that's fine with me. Do you want to do that, kids?"

"Yes," Steve replied and wiggled nervously showing his excitement.

"I want you to come, too," Kathy said and took Antonio's hand.

"I will come with you later," he said and knelt down to look her in the eyes. "You go now with Ali, Amina and your brother and later we'll all go together down to the river to watch the hippos."

Calling to a native who stood beside the Landrover, Antonio spoke to him in Somali then introduced him to everyone as Ali, his head man. Ali did not offer his hand, but touched his chest over his heart in a Muslim gesture of greeting. Antonio again spoke to him in Somali, then they all climbed in the Landrover and waved as they drove off.

"Come along and I'll give you that coffee now," he said and walked toward the house.

With the thick walls and big trees to shade it, the interior was cool and comfortable, and like all of the local houses it had large fans in the high ceilings which kept the air circulating. It was spotlessly clean and comfortably furnished. Zebra and Somali leopard skin rugs covered parts of the polished clay tile floors; the furniture was all of light weight cane and rattan construction and a tasteful use of local handwoven fabrics gave color and cheer to the living room. On the walls there were several large oil paintings and a pleasing display of smaller water colors which she stopped to examine. "Are these your paintings?" she asked. "I mean did you paint them? I know they belong to you"

"Yes," he replied. "I'm not a da Vinci, but I have fun, and it helps keep my mind alive."

"They're quite good," she said. "Very good. I like them, and I envy your talent, and the discipline to express it."

The oils were tight, abstract geometric themes, but the water colors were more free and open expressions of Somali scenes of the bush, nomads and several landmark buildings in Mogadishu. She turned to face him. "You are sort of a Leonardo, you know. A renaissance man of many talents."

"Flattery will get you everywhere," he laughed. "Come on let's sit out to the veranda."

She followed him out to a screened porch where light weight cane chairs were set around a big round coffee table cluttered with stacks of Italian and English language newspapers and magazines.

"Either you have very good taste or a woman had a hand in decorating your house," she said and sat down in one of the cane chairs.

"You're right," he replied. "I mean, you're right about a woman having a hand in the decorating. It was women actually; my sisters, who live in Rome now do all of the inside decorating. They come down for visits periodically, and with all of the changes they make it's pandemonium when they're here. As you can see I save newspapers for weeks. I never seem to have enough time to read everything I want; I keep saving the papers, and hoping I'll find the time to read them.

Maggie turned to look through the screen at the outside. To the right stood a weathered wood barn that like the house was in a state of good repair, and beyond that there was a high thatched roof shed, open on the sides, where several bare-chested Somali workers were packing bananas. To the left another Somali worked in a vegetable garden, and like the entry road and the front yard, everything was bordered with whitewashed rocks.

"It's like another world here, Tonio. So neat and well ordered. I would never have believed that something like this could be accomplished in this wild unforgiving land."

"What you are seeing is the result of a whole family's work for two generations, and you can never let up. The jungle is always just outside the fences waiting to reclaim its territory."

A houseboy padded onto the porch with a tray of thick Italian espresso coffee and hot milk which he placed on the table. Maggie poured two cups and passed one to Antonio, then leaned back in her chair to look at him. "I'm glad you asked me here today," she said and smiled. "I was very anxious to see how and where you live." She took a sip of her coffee, "In fact, there are a lot of things that I would like to know about you."

"What would you like to know? They won't be very interesting, but I'll tell you what ever you ask. I am transparent, and I have nothing to hide."

She looked into his eyes and reflected for a moment on what he had said; she realized that his transparency and openness were what appealed to her. They were qualities that she sensed, or perceived in some inexplicable way, and they engendered feelings of trust and confidence. Even five year-old Kathy had sensed it when she first met him. Maggie had noticed how Kathy moved to stand close to him after Antonio had put her down to stand near Amina.

"Oh, some of the things I would like to know are how you came to be born here? What it was like to grow up in a place like this? How you learned to speak English so well? Where you went to school? I don't know, just anything and everything."

"That covers a lot of years, but I can try to condense it a little bit, otherwise we'll be here for two days while I tell you the story of my life." He laughed, and then became pensive. "I guess it begins with my father. After World War I, he left Italy to come out here. Italy was a hard place to make a living, even for someone who wanted to work, and believe me he wanted to work. He devoted his whole life to working, and he loved it. With the small amount of money he got from selling his small farm in his village in the South of Italy he was able to pay his passage out and make a new start. He was young, healthy and robust and just recently married, so he brought my mother with him. She may have been one of the first European women to experience the hardship and isolation of the place. Like any family, they struggled to make a go of the farm and their marriage. I was the first born, and it was a wonderful life for a boy. Wild animals to hunt; a savage and primitive people right at your doorstep to get to know and observe, and plenty of work. I can still track an animal across the bush, and if I have to I can survive, just like a nomad, on a few cups of camel's milk a day. What education I received I got from my mother and reading books. When we weren't working we had plenty of time to read. There were no movies, TV or radio. Actually things have not changed that much except you have more people in Mogadishu, and there is always a party one can go to. It has not always been that way. This is a new thing since independence.

"When the next war came along I was conscripted and because of my experience in the bush I was sent to Libya in North Africa. That was where I learned my English out of necessity when after the defeat at El Alamein I was taken as a prisoner of war by the British."

"Is that where your leg was wounded?" Maggie asked.

" Yes," he said. "I took a piece of a British land mine." He paused and took a sip of his coffee.

"Finally, when the war ended I came back here to find the place pretty much tumbled down. As you know the British occupied this area during the war and nothing much was done to maintain things. My mother, sisters and Ali just did what was required to survive.

We all pitched in and rebuilt everything again and gradually things got better. As the economy in Italy improved so did it here. We had a good market for our bananas, and almost all of our food we raised ourselves. Living on a farm has one advantage anywhere in the world. No matter how poor you are, you generally have enough to eat. My father died a few years ago and my mother now lives in Rome with my sisters. After practically a lifetime out here she had had enough. But for me it's still the place I love the most. It's home, and we have already talked about what home means. I love to visit Rome, but after a few weeks I`m ready to come back; to come home."

Maggie closed her eyes and inhaled deeply. "What a lovely story," she said. "It's the kind of success story that we American's love. It has everything - love, hard work, discipline, adventure, danger. I loved hearing it, Antonio. She was on the verge of saying, and I love you, but she held herself back. "It must be very satisfying to do something like this, to do it for yourself. You have such real earthy objectives. I doubt that my husband gets that kind of satisfaction, the kind of satisfaction that you must get, from his work. He lives in his head and deals only with abstract ideas. He's involved with big issues - world peace, the international economy, development of the third world. I admire you for knowing what you want out of life and going after it."

Antonio looked at her and he sensed that she was in pain - that she was making some worthless comparison between him and her husband, and comparison of anybody, he knew, was an exercise in futility. "Everyone has their own path that they are following, Mahgee. I'm sure that the work that your husband does is important and worthwhile, and in some cases it is not so much knowing what you want out of life as it a question of alternatives. I had no alternative but to stay here and farm."

"Maybe you're right," she replied. "But there's one more question that I have, and then I'll leave you in peace. You've never married?"

"No, and I'm sorry, but you know quite well yourself how difficult life is out here for a woman. I guess I've never found anyone who was willing to undergo the hardships. Sure I could go back to a small town in Italy, and find a healthy young woman who would be pleased to come out here and work. What difference does it make to her where she works, but I would want a companion with whom I could share my ideas. I live in my head a lot, too."

"It must be very lonely for you," she said. "It is. Why do you think I go into town to see my friends, and why do you think I was so thrilled that you were coming to visit me?"

"Thrilled?" she said.

"Yes, Mahgee, thrilled."

She again closed her eyes, and inhaled deeply as though gathering courage to say what she knew she had to say. "Tonio, you may think I'm a brazen, neurotic American woman, and if you do, just tell me that and I'll go away, leave you alone, but" she paused, and almost lost her courage. "I don't know, maybe I am crazy, but if I am, I love it. Tonio, I love you. I'm desperately in love with you, and I can't get my mind off you. I'm in love with you and I want to go to bed with you."

It was out. She had said it and she felt as though she had dropped a weight from her shoulders.

Antonio stood up and walked around the table to where she was sitting, and Maggie looked up at him. "Do you think I'm terrible, and just one of those bored, crazy women that you meet in all of the cocktail parties?"

"Mahgee, you know I don't think that," he said softly. "I've had you in my thoughts ever since that day we met on the beach. I dream about you, and you're the first person I think of when I wake up in the morning. I haven't known what was happening to me, and I didn't dare admit to myself that I was falling in love with you. I know you're a married woman, the wife of a high ranking diplomatic officer, and the last thing in the world I would want to do is bring shame or pain on you. You are far too dear to me to do that."

His words flowed into her like a drug, and they left her feeling light headed. She reveled in the pleasure of giving and receiving love, and the delight of saying out loud what she had known for over a week. She would have liked to shout it, tell everyone, but she knew that for the time being that was impossible. For now it was sufficient to just be able to tell him, and have this secret that only they, the two of them, shared. She stood up and he embraced her. The sensation of having his arms around her was beyond anything she had ever experienced. He pressed his mouth to hers, and when she closed her eyes she had a vision of fields of wild flowers blowing in the wind; she could taste the sweetness of their first physical communion. "Te amo, Maghee, te amo molto."

She lay her head on his chest and she loved the feel of his rough khaki shirt against her face.

"Are you still transparent? she asked. "Nothing to hide?"

"Less so than when we started this conversation, but I have nothing to hide from you. Te amo."

"I love you, Antonio. I love you so much that I am frightened by the depth of my own feelings."

From outside, at the front of the house, they heard the sound of the Landrover returning. Maggie returned to her chair to sit down, and in a few minutes the voices of the children echoed through the house as they ran down the corridor toward the veranda. Bubbling with excitement, Steve burst on to the porch. "Wow, mom, you should see the cheetah. It's a huge cat and just as tame as a kitten. Ali just walked right up to her to pet her and scratch her ears."

Maggie reached out and took his hand in hers. "And you didn't pet her?" she asked.

"Nah, Ali wouldn't let me, but I would have."

"I told you that Ali was very cautious," Antonio said, and put his arm around Kathy who had gone to stand beside his chair.

"I didn't like her," Kathy said. "She looked like she wanted to eat me."

Maggie laughed. "Oh Kathy, I'm sure she didn't want to eat you. How does a cheetah look when they want to eat someone?"

"She looked right at my eyes and licked her face," Kathy replied.

"Oh Kath, you're crazy!" Steve said. "Didn't you see the way the dik-diks and the gazelle walk right up to her. If she was going to eat anything, she would eat them."

"I don't care what you say, I don't like her. I like the dik-diks. Oh, mommy, they're so cute. They're just like little baby deers, and they're no bigger than rabbits. They have little tiny horns, and they ate right out of my hand."

"I guess I better see all of these things," Maggie said and stood up. "How about it, Mr. di Paulo, will you show me your place?"

"I'd love to," Antonio replied. "Come on." Kathy took his hand and walked beside him out to the Landrover while Maggie and Steve followed behind. Amina had gone to join Ali and the servants in the kitchen for their morning chai."

If Maggie had been impressed before, she was even more so when they made their drive around the plantation. To see the extent of the care, attention to detail and hard work that Antonio put into operating it simply reinforced her admiration and love for him. Tractors, and other farm equipment were clean and well maintained. A generating plant where he made his own electricity was fenced off to keep it safely out of reach, he said, from the farm worker's children, and a small water treating plant provided potable water for his house as well as those of the workers and their families who lived on the plantation. When Antonio spoke with any of the workers their mutual respect and trust of one another was obvious, and she did not have the feeling that their relationship was one of patron and peon. Antonio as well as the workers all took pride in making the farm what could well be described as a "showplace" or model of what can be done with this wild jungle.

At the edge of the river, Antonio pulled the Landrover to a stop and pointed to a family of hippos that was wallowing in the muddy red water or sleeping on the shore.

"Aren't they dangerous?" Maggie asked.

"Not generally," Antonio replied. "Naturally, like anything, if you aggravate them they will attack. Not long ago there was an American who was badly injured by one, but when they killed the hippo they came to find out that it had a bad tooth and the animal was crazy with pain."

"I remember that incident," Maggie said. "It was one of the Marine Guards in the Embassy."

"Actually the worst thing you can ever do with a hippo is get between him and the water, if he happens to be heading toward the water. The water is his natural habitat, and if he feels threatened or cut off from his natural place of being he becomes vicious and aggressive immediately. They are wild animals and they translate their feelings into action very fast."

"They're sort of like people, aren't they?" she said and smiled at him.

"Exactly," Antonio said. "And like all wild things, animals or people, it's best to know what their habits, and natural tendencies are, and to give them a wide latitude in following their instincts.

"The same is true of the nomads. When they are migrating they will cut big branches of thorn bush and place it around the water that gathers in low places on the dirt roads that cut through the desert. If you happen to drive through their "fenced off" water, they'll kill you. Water is their most precious commodity. Their survival depends upon it, and anybody who threatens their survival is taking his life in his hands. So, if you are ever driving in the bush and you come upon a primitive fence around water standing in the road, drive around it."

"I will," she said and felt a tingle of excitement run through her body to hear him talk so knowledgeably about the nomads.

After another visit to the cheetah they returned to the house where they had drinks on the veranda before eating a leisurely lunch that in the Italian style included several courses and started with melone,i prociutto, which Antonio said was made on the farm, followed by insalata, spaghetti, oso bucco and finally fresh fruit. Antonio graciously answered a battery of questions put to him by Steve about hunting and tracking wild animals, and the nomads; by the time lunch was over Steve had decided that he wanted to become a white-hunter and plantation owner when he grew up. "I'll live just like Mr. di Paulo lives," he said.

When the lunch was over Ali brought two of his children, a boy Steve's age and a girl Kathy's, and introduced them. It was a touching sight to watch the four of them as they shyly felt one another out, but within ten minutes the self-conscious testing was over, and they all ran outside to play as though they had known one another for years. Maggie and Antonio returned to the veranda where over coffee and a Strega she curled up in a cane love seat beside him, and listened to a recording of a Puccini opera which Antonio had placed on the stereo.

She had the feeling that she was encapsulated in a soft state of suspended animation, and she spoke very softly so as not to disturb the fragile web of tenderness that engulfed them. "You have given me the happiest day of my life. I can't begin to tell you what this has meant, means, to me. It is a feeling that is beyond description; something that I have never in my life experienced. It's as though every illusion I have had about myself is gone. Every semblance of defense, armor, protection has been stripped away, and my soul is standing naked in front of you." She lay her head on his chest, and closed her eyes. "Oh, God, Antonio, I love you so much that I'm frightened. I keep thinking that one human can't love another human this much. This is the kind of love that one has to reserve for God." With her hand she reached up and stroked his face. "May I come back tomorrow without the children?"

He brushed his fingers over her lips and leaned down to kiss her ear. "If you like, I will come into town. We could meet at the beach hut."

"No, I would prefer to come here. It's so beautiful and peaceful here; it's like Shangri-la, and it is so much a part of you. It's a very important piece of the total mosaic that is you, and has now become, or is becoming us."

"I'll be waiting for you, mi amore," he said and took her in his arms to kiss her.

Maggie lingered as long as she could, but as the shadows from the mango trees stretched out into the field behind the house she knew that she must leave. Gathering the children into the car she set off for the journey back to Mogadishu. The harsh reality, and all of the implications of what she had initiated were not yet focused in her mind, and she was still in a state of euphoria as she drove down the long black highway into the sunset.

Gene McCoy © July 1998

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