HIGHEST AND MOST DISTINGUISHED CONSIDERATION

A Novel of the Foreign Service

By

Gene C. McCoy

CHAPTER 16

Quito, Ecuador - 1971

The tropical beat of the combo drifted out to where Stuart waited for the elevator. They were playing another Consuelo Velasquez piece which he recognized, and he ruminated in his memory for the name of it, but it remained elusive, and the best that he could come up with was a vision of the same melody being played in the bar in the Maria Isabel Hotel next door to the embassy in Mexico City, then the image changed to the Palace in Madrid. He had been in and out of so many bars in the world that they had become a blur in his mind. The doors of the elevator opened and a group of French-speaking tourists filed out of the car, and he wondered if Melvin would strike up an acquaintance to appease his Francophilia and try to forget that he was in some dismal strife-ridden South American backwater.

When the last of the men had followed the long-dressed women past him Pete entered. As the doors closed he looked down at the floor and focused his attention on the cable he would be drafting. He was not yet certain what he would say, and he quickly ran through the day's events in an attempt to bring all of the factors together at one focal point that he hoped would be the truth. The political crisis, Melvin's offer to settle for less than the six million, the threat of a Hickenlooper suspension, and the shortage of foreign Exchange all competed for importance as his mind worked to establish the linkage between all of the forces that made up this Gordian Knot. He paid no attention when the elevator stopped on the floor below.

"My goodness, what concentration," a feminine voice said.

His pulse quickened, and he forgot about the cable, Melvin and all of the other concerns as adrenalin pumped into his veins and filled his body with a warm completeness. He did not have to look to know who had spoken to him. With just that brief remark he recognized the voice.

"Hello, Soledad," he said looking into her eyes. She was dressed in a bright green wool suit and her eyes appeared more green than usual. "You're looking awfully elegant today. You must have been on a very important mission."

Her cheeks flushed, and she pulled at her jacket. She seemed as startled as he was by the chance encounter. "I just came to talk to the management of the hotel. They're putting on a show of my work in the gallery downstairs."

"I'll want to be sure to come," he said.

The elevator stopped, and as he looked out at the people in the lobby he was seized with laughter.

"What are you laughing at?" she asked him.

"Do you realize all of the cunning and deceit that lovers go through to arrange a rendezvous? And here we are walking out of the hotel together at five o'clock in the afternoon. By tonight it will be all over town, and we'll be the topic of cocktail party gossip."

"Better to be hung for a sheep than a lamb," she said with a smile.

"That's the truth, but I hate being accused of anything without having had the pleasure from the satisfaction of the act," he said as they walked across the lobby toward the main entrance. "Can I drop you someplace? I have the embassy car waiting."

"Oh, I'm just going home, and I'm only around the corner and down the hill, you know," she replied.

"But it's raining," he said taking her by the arm. "Come on, I'll take you down."

Eduardo had already pulled the car up in front of the entrance and was standing, cap in hand, beside the open rear door. Letting Soledad enter first, Pete told Eduardo where she lived then slipped in beside her just as another embassy car pulled up to drop off Marge Mc Candless, the wife of the Counselor for Political Affairs. Marge looked inside their car and waved as Eduardo pulled away from the curb. Stuart could not see her expression, but he could imagine what she was thinking.

"Well, there it is," he said. "I'll bet that Marge can hardly wait to get to a cocktail party to report her latest bit of intelligence."

"Maybe you should report on her," Soledad said. "What was she doing going to the hotel at five o'clock in the evening? I say she's meeting some handsome Latin lover who's really a spy, and is using her to get information from her husband who talks in his sleep."

"Right," Pete replied, "and she uses an embassy car to carry out her illicit liaison to make it seem that she's just going to the hairdresser. The real truth, however, is that she goes to the back room of the beauty parlor to make mad passionate love. But here's the twist. The hairdresser is a double agent, and works for both the CIA and the Chicoms, and furthermore, he's blackmailing her."

"Um, this is getting better," she said. "What's a Chicom? They sound really sinister."

"A Chicom is a monster invented by the State Department. It's the word we use in our cable jargon to refer to the Chinese Communists, and everybody knows that they're the worst of the lot who populate the back alleys of the world." He took her hand in his. "You know I really enjoy you. You're beautiful, sensitive, creative, a fantastic bullfighter, and you have a wonderful sense of humor. I think you're the best thing that has happened to me in a long time."

"Thank you, Pete. Flattery will get you every where."

"Unfortunately, our little fantasy is as far from the truth as it could be," he said. "Marge is the epitome of what a pretentious Foreign Service wife can be."

"What's a Foreign Service wife like?"

"Some of them are very nice, just like any other wife, but sometimes, some of them, take our business more seriously than the men do. They're too concerned about protocol, and because of the privileged positions that we have as diplomats they begin to think that they're just like the aristocracy that we hobnob with. They forget that we're just civil servants, poor ordinary working stiffs, like anybody else."

"I don't think I would make a very good Foreign Service wife. None of that stuff appeals to me," she said.

"It doesn't have to be that way," Stuart said. "Although, I'll admit that all of us work very hard sometimes to make it seem more pompous than it need be, but in any case some of my best friends are Foreign Service wives."

"Like Mexicans and black people," she teased him.

"Exactly, darling" he replied. "I'm glad you understood what I meant."

"Aqui esta, no señorita?" Eduardo asked as he pulled up in front of her house.

"Si, gracias," she replied.

Eduardo got out of the car and opened the door for her but she made no movement to leave. "You just called me darling."

"Do you mind?" he said.

"Not at all, I liked it. I don't think anyone has ever called me darling before."

"Maybe using names of affection is the English equivalent to using the familiar tu in Spanish," he said. "It means we've gotten beyond the Mr. Stuart - Miss Benalcazar stage."

"No, I think it means more than that. Using the tu form is the same as what you call in English, being on first name terms, and we were already on first name terms. I think using an affectionate name means that you really care for someone."

"That's true, Soledad, and I do care about you. I care about you very much."

"Thank you, Pete. I care about you too." She reached over and touched his face with her hand. "Do you have time to come in for a drink?"

"Well, I've got my secretary waiting for me in the embassy, and I still have some work to do tonight, but as I said last night, U. S. foreign policy is not going to stand or fall on the time it takes to have one drink." He opened the door on his side of the car. "I'd love to join you."

He followed her through the gate into the patio and was again reminded of the patios of Andalucia in Spain.

Andalucia is a cultural tidelands where the Arab's love of symmetry and the Spaniard's passion for a romantic setting found one another and gave birth to a style of architecture that the Spanish carried to the New World where it persists even today. That little corner of Andalucia tucked away on a high Andean slope was living testimony to the persistence of Spanish culture.

While Soledad got the ice Pete lit the fireplace, and when she had mixed the martinis they settled into the chairs in front of the fire. The same feeling of peace and tranquility that he had noticed on the previous night engulfed him.

"I very much envy the life that you have, Soledad," he said and sipped his drink. "There was something that you said last night that stuck in my mind. You mentioned that the painting that you're working on now was the 'theme and technique' that you had been searching for. Do you realize what that means? Do you have any idea what most people would give to find the theme and technique that would produce satisfaction?"

"Yes, I do, Pete. But in my case, I'm afraid it won't last. Sooner or later, I'll start off on a new search for the duende, the spirit of beauty."

"I wish to hell that I could find the theme and technique that would produce some satisfaction for me," he said.

"But your work must be very exciting."

"Oh darling, it's dreadful. Black-tie dinner parties, cocktails, receptions; dull staff meetings, and none of it has any meaning for me any longer. Sometimes I feel like a zombie; someone who is just going through the motions of living, but with no real spark."

"I think we have to make life have meaning, Pete. Each one of us has to find our own meaning. For me it's art, beauty, painting. I don't think I would want to live if I couldn't express what I see and feel through my painting. Have you ever heard the maxim that says, 'impression without expression leads to depression'?"

"No, I hadn't heard that before," he replied, "but I think it's true. In all of my travels around the world I've frequently had impressions that I couldn't express within the confines of diplomacy, and it left me feeling kind of depressed."

"What would you like to do if you weren't a diplomat?" she asked.

"I don't know, Soledad. I have a fantasy," he replied.

"Good. Tell me your fantasy."

He took a sip of the martini to marshall the courage to expose some of the less pragmatic sides to his personality; to let her see something other than Pete Stuart the economist, Foreign Service officer. "Well, you scratch any FSO and you'll find a frustrated writer, and my fantasy is to go off and sit by the edge of the sea and tap out a novel. Years ago I served in Spain, and I travelled all over the country. In the course of my travels I found a little town on the South coast that I've always used as the setting for my daydream."

"I like your fantasy. It coincides with one of my dreams. I love Spain. I dream of spending hours in the Prado Museum with Goya, Velasquez and el Greco. I did spend a lot of time there when I was studying, but I could never get enough of Spain. What's the name of your town?"

"Calpe," he replied. "It's between Alicante and Valencia. It's just a little fishing village, but it is beautiful. The mountains come right down to the edge of the Med, and there's a magnificent rock called the Peñon de Ifach that rises up out of the sea at the entrance to the small harbor where they tie up the fishing boats. I can see myself getting up every morning, pulling on an old sweater and a pair of faded jeans, and, after watching the fishing boats putting out to sea, sitting down to my typewriter to peck away."

"Why don't you do it?" she asked.

He thought of telling her about Ruth, but he was not quite ready. He was enjoying the communion that had been established between them by the sharing of dreams and fantasies, and he did not want to do or say anything that would break the spell. "I don't know, a lot of reasons, I suppose. Maybe I don't have enough confidence in myself as a writer, or maybe its because I don't like to get up as early as the fishermen do." He paused, and took another sip of his martini. "I guess the real reason is money."

"Ah yes," she said, "the old battle between art and economics. I can accept that art and economics are strangers, but do they have to be enemies."

"You seem to be doing pretty well. You have a nice studio and plenty of supplies. Your work is selling. I would say that you've got it made, as we say in English".

"The house is rented; the paintings I sell just about cover the cost of the supplies, and I have to work as a secretary to pay the rent and put bread and wine on the table.

"Pete, there are two artists that have greatly influenced me. One is Amadeo Modigliani for his style."

"I've noticed that," he said, "and I think your mother was too. I could see his influence in the portrait that she did for you." "Right," she continued, "and I suppose that's really how he influenced me. The other artist is Constantine Brancusi, the sculptor, who was a close friend of Modigliani. Some of the things that Brancusi told Modigliani have had an enormous impact on me. One thing that he said was that an artist should live like a king, create like a God and work like a slave. I'm still waiting to live like a king, but I do experience that god-like feeling when I'm creating, and I do work like a slave.

"But the most important thing that Brancusi ever said, and something that has become my creed, was that it is the obligation of the artist to fulfill his dream, and maybe that's something that you ought to think about."

"It's lovely, and very romantic," Pete replied. "Just what you would expect from an Italian or any Latin for that matter. You're all terribly romantic and idealistic, but that's probably the reason that I'm so fond of Latins."

"Yes, we're not pragmatic like the Americans, are we? We could probably use a little more pragmatism in our politics, but I don't think it will ever come to pass. We'll always be more concerned with ideals, and form over substance. It's our Quixote complex."

Stuart tossed off the last of his drink. "Speaking of politics and American pragmatism, I'd better get on my way. I have a cable I've got to draft and then a dinner party. He lifted himself out of the chair and walked to where Soledad was sitting.

"I would much rather stay here and discuss art and Modigliani than do either one of these things that I have to do. If this political crisis blows over, and I get this project that I'm working on settled, I'd like to have you up to my house for dinner one night next week. We can spend the whole evening talking about art."

"I would enjoy that very much, Pete." She reached up and took his hand in hers, and he leaned down and kissed her lightly. He started to leave, but she held on to his hand. "You know last night I mentioned to you that my mother had died in childbirth, and had left her portrait so that I might know her?"

"Yes," he said looking down at her.

"She also wrote me a letter which I'm going to show to you because I think I detect more than a little bit of an artist in you. Not now because I know you have to go, but I do want you to read it. No one can know what the struggle of the artist is like. We don't know what drives us and makes us so restless. We're not like other people. I think reading this letter might h el p you to solve whatever problem your struggling with. The fact that it comes from another artist will make it have that much more meaning for you."

"Wait a minute, darling. I'm not an artist," he replied.

"Are you sure, Pete?" she said.

"Not unless you see something in me that I don't see," he said.

"Maybe I do," she replied. "Goodnight, Pete. I hope the cable drafting goes well, and that the party is not too dull and boring."

CHAPTER 17

Quito, Ecuador - 1971

Stuart's secretary placed the neatly typed green pages of the outgoing cable on his desk. "Is this message going out tonight?" she asked.

"Yes, but I'll have to take it up to the residence. The ambassador should see it before we send it."

"Then I'd better call the code room and tell them to have a code clerk stand by. They leave at eight o'clock, and it's almost that time now."

"You think of everything, Janie. I don't know what in the hell I'd do without you. Tell them it shouldn't be more than an hour. I just want to reread it and then I'll have the duty driver take me to the residence."

"I can take it up for you if you have someplace you're going tonight," she said.

"Thank you, Janie, but I'd better take it to him myself. I've worked for him long enough to know that he doesn't like to have you give him something with the idea that it can't be changed, and if I sent you with it that's exactly what he would think that I thought. I'll take it up, but you'll have to stand by here in case he does want to make changes."

"That's all right, Mr. Stuart," she replied. "I'll call the code room. She left his office and Stuart picked up the pages and began to read.

THE FOREIGN SERVICE OF THE UNITED STATES OF AMERICA OUTGOING CABLE CONFIDENTIAL PRIORITY
ACTION: SECSTATE, WASHDC FROM: AMEMBASSY, QUITO REF: DEPTEL PRIORITY 67390 SUBJECT: CONGRESSIONAL INQUIRY RE STATUS ICC   CLAIM 1. IN SEPTEL EMBASSY HAS REPORTED ON POLITICAL EVENTS OF PAST FORTY-EIGHT HOURS WHICH SITUATION CONTINUES TENSE. ALTHOUGH UNDERLYING CAUSES POLITICAL UNREST BASICALLY UNRELATED TO ICC-GOE NEGOTIATIONS THE FACT THAT PROBLEMS SURFACED IN CONNECTION WITH STUDENT SUPPORT OF COMMUNICATIONS WORKERS PLACES ISSUE THAT WOULD OTHERWISE NOT COMMAND SIGNIFICANT PUBLIC ATTENTION INTO HARSH LIMELIGHT OF POPULAR SENTIMENT. UNDOUBTEDLY PRESIDENT LOPEZ PERALTA ERRED IN MAKING PUBLIC STATEMENT ON MATTER OF SEVERANCE PAY IN CLUMSY ATTEMPT TO DEFLECT INCREASING DISENCHANTMENT WITH HIS GOVERNMENT AND MOBILIZE SAGGING PUBLIC SUPPORT. ERROR COMPOUNDED BY OVER REACTION OF TRIGGER HAPPY POLICE AND ARMY BY BLOCKING STUDENT DEMONSTRATION AND CLOSING OF UNIVERSITY BUT IS INDICATIVE OF PATHOLOGICAL DEVOTION MILITARY MIND HAS TO LAW AND ORDER. PROBLEM NOW FACING GOVERNMENT IS WHETHER OR NOT THEY CAN CONTAIN SITUATION WITHOUT FURTHER DAMAGING THEIR IMAGE, AND THERE IS ALWAYS THE DANGER THAT THEY MIGHT YIELD TO TEMPTATION TO DIRECT PEOPLE'S OUTRAGE OVER DEATH OF STUDENT, RISING PRICES, AND BUREAUCRATIC BUNGLING AGAINST ICC AND U.S. 2. AGAINST THIS BACKDROP IT IS IMPERATIVE THAT NEGOTIATIONS BE CARRIED OUT IN ATMOSPHERE OF CALM AND DISPASSIONATE BARGAINING WITH AS LITTLE PUBLICITY HERE AND IN U.S. AS POSSIBLE. TO INVOKE HICKENLOOPER AMENDMENT COULD LEAD TO HARDENING OF GOE POSITION AND COULD WELL PROVIDE THE CATALYST THAT WOULD LEAD THEM INTO ANTI-AMERICAN COURSE. ON THE OTHER HAND, THE SEVERAL AID LOANS THAT ARE PENDING BEFORE DEPARTMENT CAN PROVIDE THE RESOURCES THAT GOVERNMENT NEEDS TO ATTACK BASIC CAUSES OF UNREST. 3. EMBASSY OFFICER MET WITH ICC VICE PRESIDENT MELVIN AND MINISTER OF FINANCE JORGE CHIRIBOGA AND BOTH SET FORTH THEIR POSITIONS IN RELATIVELY CALM TERMS. ICC INDICATED WILLINGNESS TO SETTLE FOR LESS THAN UNREASONABLE SIX MILLION CLAIM IF CASH PAYMENT COULD BE ARRANGED, AND MINFIN CHIRIBOGA OFFERED TO PURSUE THIS APPROACH. WHILE THIS IS AT LEAST AN OPENING WHICH COULD LEAD TO SOLUTION THERE WILL REMAIN EVEN AFTER AGREEMENT ON SETTLEMENT FIGURE THE PROBLEM OF RAISING MONEY SINCE CENTRAL BANK HOLDINGS OF FOREIGN EXCHANGE ARE AT AN ALL TIME LOW. IN PRIVATE CONVERSATION WITH EMBASSY OFFICER MELVIN MADE CURIOUS REMARK THAT IMPLIED THAT ICC MIGHT HAVE MEANS TO SOLVE THIS ISSUE BUT DECLINED TO ELABORATE OR PROVIDE DETAILS. HE DID INDICATE THAT SUCH SOLUTION WOULD HAVE ITS ORIGINS IN WASHINGTON AND EMBASSY WOULD APPRECIATE ANY INFORMATION THAT DEPARTMENT MIGHT HAVE IN THIS REGARD. CHANDLER

Stuart put the cable on his desk satisfied that, although brief, it managed to convey the urgency of the situation. With the thousands of cables pouring into the department from posts throughout the world it was necessary that you state your case in as few words as possible with the expectation that someone on the other end, a desk officer perhaps, because of his common experience in the Foreign Service, would have an insight into all that went behind the terse abbreviated sentences and acronyms.

There was always a chance, however, that the cable would end up in the hands of a Departmental Civil Service employee who had never been beyond Foggy Bottom. It was these bureaucrats who applied the laws and regulations with one-sided uniformity. For them the conduct of foreign affairs was an eight-to-five job, and each night they went to their suburban homes in Maryland or Virginia and had cookouts with airline pilots, advertising executives and businessmen, leaving the activities of the Department of State at Twenty-First and C Streets.

In the Foreign Service one never left the job behind. Every second of your life was involved with the representation of the interests of the United States of America. Everywhere you went you were never just Mister So-and-So; you were Mister So-and-So of the American Embassy. Every action you took, and every word you spoke was treated as representing the position of the American Embassy and the Government of the United States of America. If you got drunk, you were not just a drunkard. You were implicated in a scandal whereby U.S. foreign policy was conducted by drunkards. If you had a love affair you were not just endangering your marriage; you were a threat to the security of the United States. A Foreign Service officer worked twentyªfour hours a day, and his personal opinion on any subject was secondary to the guidelines received from the department and embassy.

He picked up the telephone and dialed the reception desk. "Marine guard, Corporal Thomas speaking," a crisp boyish voice answered.

"This is Pete Stuart,"

"Yes sir, Mr. Stuart."

"Is the duty driver down there? I'd like to have him take me up to the residence."

"Yes sir, he's here. Would you like me to have him bring the car around to the entrance? It's raining pretty hard."

"Would you please. I'll be right down."

Stuart replaced the receiver and inserted the cable along with a yellow drafting pad into a thin black leather portfolio. Pulling his raincoat off a hanger he put it on and walked out of his office. Stopping at Janie's desk he looked down at a novel she was reading. "I hope I'm not long," he said. "You don't have anything planned for this evening, do you?"

"No sir," she replied looking up from the novel. "Some of the girls are getting together for a buffet, but I told them I didn't think I would make it after you called this afternoon."

"I appreciate that, Janie. "I'll let you have an afternoon off with no charge to annual leave one of these days." He leaned across the desk and kissed her lightly on the cheek. "You're a sweetheart," he said.

The life of a Foreign Service secretary might appear exciting and adventurous with all of the travel and stories about high living, but in reality it involves a lot of lonely hours and isolation. Excluded from most official entertaining, and except in rare cases unable or unwilling to date local men, the women keep company with one another. Their parties were at times sad, almost pathetic, affairs as they dressed up in long dresses and imitated their diplomatic bosses with elaborate buffets and plenty of Chivas Regal and Piper Hiedsick Champagne to ease the pain of their chaste and lonely lives. The stories of fast high-living Foreign Service girls were mostly figments of the imaginations of novelists.

The duty car pulled up to the gate of the residence, and a guard walked from under the eaves of the gate house to check it. A Ecuadorian soldier with an M-1 carbine slung muzzle-down over his shoulder watched while the embassy guard opened the gates once he had identified Stuart and the driver. Parked off to one side was a small Toyota police car with two plain clothes men in it, and inside the gate house, on embassy property, sat a U.S. Marine Guard in front of a radio that kept him in contact with his buddies on duty in the chancery. The old boy's taking no chances, Stuart thought. He has no intention of becoming a kidnap victim, and he's taking his own words of warning seriously.

Four other cars reflected the glaring floodlights on the wide circular driveway in front of the house, a black Government of Ecuador Mercedes, a limousine with diplomatic tags, and two smaller American sedans that belonged to embassy officers. A dinner party of eight, ten with the ambassador and his wife, he thought. He had participated in many such evenings. They would have cocktails in the smaller family room rather than in the large reception room in an attempt to create an ambience of intimacy, and sooner or later the ambassador would direct the conversation to opera, stamp collecting or the stock market, the three subjects which occupied his leisure time. A white-jacketed houseboy admitted Stuart to the foyer.

"Good evening, Mr. Stuart," he said. "Good evening, Manuel. Would you please tell the ambassador that I'd like to see him."

"You wait here or like to go to library?"

"I'll go to the library," he replied.

"Can I bring you drink?"

"Yes, I'll have a martini, on the rocks, please." He removed his raincoat and threw it across one of the Chippendale chairs and walked to the library. On the desk were a magnifying glass, a large postage stamp catalog, and another thick book which was open. Stuart half closed the book and read the title, ”The World of Opera•. It was opened to Puccini. He must be in a sentimental mood, he mused. Opening his own portfolio, he removed the pages of the cable.

"Good evening, Pete."

Stuart turned to face the ambassador. "Good evening, sir. I'm sorry to disturb you, but I knew you would want to see this cable before it went out."

"On the ICC business?"

"Yes, sir," he said, handing the cable to him."

"Sit down please, Pete," the ambassador said as he slumped into a large leather chair.

Manuel slipped quietly into the room with Stuart's drink on a small silver tray. "Gracias, Manuel," he said softly and took the glass from the tray. He sipped at the drink while the ambassador read.

"That's fine, Pete," he said removing a pair of half reading glasses and slipping them into the breast pocket of his tuxedo. "What do you suppose this fellow Melvin has in mind?"

"I have no idea, sir, but he left do doubt in my mind that he had something cooking. You know how some of these private sector guys are. They tell you just exactly what they want you to know, and nothing more. I had the impression that he was planting a seed, and was willing to wait to see if it sprouted."

"Um, I know what you mean," the ambassador said. He rubbed his had over his chin. "I've dealt with a few ICC men myself, and they're a tough bunch. I'd hate to have one of them sore at me. There are quite a few shipwrecked careers of people who got crosswise with ICC. Not just in the State Department, but all through the government." He looked at the cable again, and was pensive for a few minutes. Stuart wondered if he might suggest changes. "Well, they're hotfooting it around Washington, and whatever they're up to will come out in its own time. Do you want me to sign off on this cable?"

"If you would please, sir." Stuart removed a ballpoint pen from his pocket and handed it to the ambassador. He took it and placed a large C over the name Chandler, then handed both the pen and the cable back to Stuart.

He stood up. "Okay, Pete," he said. "Keep me informed. I don't want either you or me to get caught in the middle between ICC and the Government. Would you like to come in and meet my guests?"

"Thank you, sir, but I think I'll get back to the embassy and get this cable up to the code room. I'm supposed to go to a dinner party tonight down in Tumbaco, and if I'm going to make it I'll have to get cracking."

"All right, Pete. Thank you very much. Goodnight."

CHAPTER 18

Quito, Ecuador - 1971

Stuart pushed the button beside the heavy fireproof door that protected the embassy communications unit. From inside he heard the bell ring and then footsteps. When they stopped behind the door he knew that he was being examined through the peephole like a caller in a strange apartment. Recognition assured, the door swung open and he was admitted to the nerve center of the embassy by the duty code clerk, a youthful collegiate looking girl.

A row of cashier's cage bars separated him from the banks of gray file cabinets and the half-open vault door which enclosed the room where the message encrypting and transmission gear was located. "I'm sorry to have to keep you tonight, but I couldn't get this done this afternoon," he said.

"That's okay, Mr. Stuart. We're used to this," she replied. "Anyway, you're not the only one burning the midnight oil. Mr. Kirk has a message going out also."

The vault door to the encrypting room swung open and Jim Kirk, the CIA Station Chief, walked out with a sheaf of yellow telegraphic hardcopy paper in his hand. Kirk's special position in the embassy was emphasized by his presence in that most restricted sanctuary. All of the equipment and the employees who were permitted in the code room were under his supervision and belonged to his agency. This gave him a clear shot into Washington and assured his independence of judgement and reporting since none of his messages required any approval or prior review by the ambassador or any other officer in the embassy. He put the hardcopy on a desk and walked to the window in the bars. "Hi, Pete, how goes the battle?"

"Up hill, Jim, up hill all the way, one day at a time," Stuart replied, and handed the pages of his cable to the girl who logged the message in, then carried them back to the encrypting room. "I see that I'm not the only loyal and dedicated civil servant who works beyond the whistle."

"I guess you haven't heard the news," Kirk said.

"News? What news?" Stuart asked, a puzzled expression on his face. "I just left the residence and the ambassador didn't have anything new?"

"I just now finished calling him," Kirk replied. "The governments's slapped on a curfew at ten o'clock. It's already on the radio, but I got a call from one of my contacts in the National Police about a half an hour ago."

"A curfew! What in the hell has happened now?" Stuart asked.

"All day long we've known that something was brewing, but it's been impossible to get any hard leads on what it was. There's been a lot of movement of students up from Guayaquil. Not the leaders, most the those guys have been detained by the police, but the second and third strin ers. Most of them ar e f r i e n ds of the kid who was killed, and the government can't find out whether all of this movement has any real political overtones. Even though the army and police have tried to watch everyone pretty closely, it's too big a job for them to keep tabs on a bunch of rebellious students who are migrating between Guayaquil and Quito. About an hour ago the most incredible thing happened."

"What was that?" Stuart asked.

"The kid's body was stolen”•," Kirk replied.

"Stolen! You must be putting me on," Stuart said with a tone of disbelief.

"I'm not putting you on," Kirk said. "They stole the body right from under the noses of the police. As you know they had it out in a house in El Batan, and they were letting mourners in under what they thought was tight security. A group gathered in front of the house and began shouting and demonstrating. The two guards who were on duty inside the house went outside to help those on duty out there, and while they were breaking things up two students carried the body out of the house between them.

"How in the hell could they do that?" Stuart asked.

"They draped it in black women's mourning clothes, and carried it out as though it were a woman who had fainted. Now, the police don't know where the body is or what's going to happen next, so they've slapped on a curfew to try and keep things from getting out of control during the night. It's like waiting for the other shoe to fall."

"Jesus, that is incredible," Stuart said. "I've been through some pretty wild things including the last days of the Ayub regime in Pakistan and the blowup in the Congo, but I've never seen a situation like this. Anywhere else in the world they kidnap live people, but here they steal a dead body. What do they think they can accomplish with this?"

"I don't know," Kirk replied, "unless it's to just make trouble. The whole thing smacks of a grizzly student's prank rather than the actions of organized terrorists. Like so many things that happen in this country, it has a comic opera quality about it. The only problem is that it's not a comic opera. There are real people involved, and despite the absurdity of the situation, there is a real threat of danger. If they throw troops and police out on the streets tonight with half-assed instruction and itchy trigger fingers, the chances of someone else getting killed are damned good."

"Geez, I'm supposed go to a dinner party tonight down in Tumbaco," Stuart said touching his hand to his head. "I'd better call Raul Villagomez and cancel out."

"I think that would be wise idea," Kirk said. "Just as soon as the code clerk gets your message out, I'm going to take her home and then get off the streets myself."

Stuart left the code room and returned to his office to find his secretary still reading her novel. "Janie, you'd better get on your way home. The government's just put on a curfew at ten o'clock, and we'd all better be off the streets by that time."

"Curfew," she said, a trace of fear in her voice.

"Yes, it has to do with that student that was killed. Do you have a car?"

"No, I don't own one," she replied, and shoved an open file safe drawer closed, then spun the combination lock.

"Okay, you go on and get the duty driver to take you home. I'll take one of the embassy cars and drive it myself just as soon as I've made a phone call."

Taking a small address book from his billfold, he looked up the telephone number of Raul Villagomez and dialed it. When a servant answered, he asked for Raul, and while he waited for him to come to the phone he could hear the laughter and music of the party in the background.

"Hello," a voice said.

"Raul, this is Pete Stuart. I don't know whether you've heard about it or not, but the government's imposed a curfew at ten o'clock.

"No, Pete, I hadn't heard about it. What happened?" he asked.

"The body of that boy who was killed was taken out of the house where the police had it, and they don't know who took it. That's really all I know, Raul, but what I called to tell you is that I won't be able to make it down to your place tonight. Will you please accept my apologies and give my regrets to your wife?"

"Of course, Pete. I'm sorry we won't be seeing you. I hope this is not the beginning of more trouble,"

"I hope so too, Raul. Perhaps you'd better tell the rest of your guests to stay over down there. I don't think it would be a good idea to provoke some nervous paratrooper into another shooting incident."

"I think you're right, Pete. Thanks for calling. I'll try to see you next week. Let's have lunch one day."

"Fine, I'll call you, Raul. Goodnight."

Holding the button on the phone down for a few seconds, he waited and then dialed the Deputy Chief of Mission, Mat Clausen's, number. The phone rang once and Clausen answered. "Mat, this is Pete Stuart. I assume that since you're sitting on top of the phone that you know about the curfew."

"Yes, Pete. I've already put the emergency phone procedures into effect." The embassy had a chain letter-like telephone network to relay important information to the staff. "Where are you?"

"I'm in the embassy, but I'm on my way out right now," he said. "I'll talk to you tomorrow." He cradled the receiver and lifted himself out of his chair. Before turning off the lights, he instinctively checked the desk tops of his own and Jane's office for any classified material, and once again pulled on the safe drawer to make certain that it was locked. Satisfied that everything was put away and secure he turned off the lights and walked down the corridor past a Marine Guard who was making his rounds of the embassy.

"Goodnight, Mr. Stuart," the Marine said.

"Goodnight, Tim."

It had been a long day and he was tired. He was pleased, though, that he would not have to drive to Tumbaco to the dinner party. Out of everything comes some good, he mused.

CHAPTER 19

Quito, Ecuador - 1971

Stuart eased the car between the heavy iron gates at the embassy main entrance and acknowledged a military salute from the guard with a wave of his hand. Then, in that moment in infinity, he made a spontaneous decision that had no explanation. He was totally unaware of the unconscious thought process that guided him to turn left and drive up the hill toward the Hotel Quito rather than make a right turn to follow his usual route home. Huge raindrops splattered against the windshield, and the wipers were unable to stay ahead of them, so he drove slowly through the empty streets. As he approached the traffic circle in front of the hotel he came upon the flashing blue lights of a police van parked in the middle of the street, and he slowed, then stopped beside a paratrooper who signaled to him with a flashlight. Walking to the front of the car, the trooper cast the beam onto the license plate, then returned to side window.

"Diplomatico?" he asked, having noticed the CD plates.

"Si," Stuart replied. "De la Embajada Americana."

"Do you have your identification?"

Stuart pulled the red leather carnet issued by the foreign office from his pocket and handed it to the trooper. From inside the van he could hear the crackle of the police radio.

Shining the light on the carnet, the trooper studied the photo, then turned the light on Stuart's face before handing the card back to him.

"Muy bien," he said. "A toque de queda has been imposed at ten o'clock, and everyone must be off the streets by that time, even diplomats, so you'd better hurry home." He spoke with a mushy coastal accent.

"I'm only going up the street," Stuart replied. "I'll be off the streets by ten."

Stepping back from the car he waved the light motioning for Stuart to continue. Putting the car in gear, he drove forward past the van, and around the traffic circle, then continued on to the narrow cobbled street that led down the hill to Soledad's studio.

After ringing the bell he waited, and in a few seconds Soledad called, "Yes, who is it?" from the door of the house.

"It's me, Pete," he shouted.

"Pete, what in the world? Just a minute, let me get my umbrella."

As he stood there, the rain streaming down his face, he felt foolish and realized that he should have called her from the embassy, but his decision to come had been almost a reflex as spontaneous as one of self-protection.

The sound of her quick footsteps carried over the wall and then there was a metallic grate as she slid the night security bolt open before swinging the gate to let him pass. She held the umbrella out for him and he followed her through the patio toward the light of the open door.

She collapsed the umbrella, placed it in a corner, then turned to face him. "Pete, what are you doing back here? I thought you were going to a dinner party."

"The government's imposed a curfew. I was afraid there might be trouble during the night, and I didn't want you to be alone if something does happen," he said and pulled off his raincoat.

"A curfew, why?" she asked.

"Somebody snatched the body of that boy who was killed, and they don't know who did it, what the impli¬cations are, or what might happen next," he said.

"My God," she said. "We go from bad to worse. Let me have your raincoat, and then come down by the fire. You're soaked."

He shook the raincoat, before handing it to her, then followed her to stand in front of the fireplace.

"You look like you could use a drink. How about another martini?" she said.

"You're not kidding, I could use a drink, maybe two," he said. "I'm sorry to barge in on you like this, Soledad, but I didn't even think about what I was doing. I was already in the car leaving the embassy when I decided to come here. If I had thought about it I would have called you before I left my office."

"That's all right, I'm glad you came. I don't like being alone when we're having political disturbances, although nothing ever happens except to change the name of the man who occupies the presidential palace."

"Well something ”could• happen," he said. "Especially with the government being so insecure. They seem to be overreacting to everything."

"I know," she said. "It's been a long time since we've had a curfew." She walked to where he was standing and handed the drink to him. "I wish we could settle down to being a little more mature in our political life. Living in this constant turmoil is not good."

He took a swallow of the martini and looked at her. She must have just gotten out of the bath, he thought. Her hair hung loose over her shoulders and it was still a little damp. She was dressed in her nightgown and a white terry cloth bathrobe, and he could smell the scent of pine bath oil on her body.

"The whole continent is that way," he said. "I've seen enough trouble in my lifetime to know that the situation down here is explosive as hell. I went through the riots in Pakistan when Ayub was overthrown, and before that I was in the Congo when things blew. Every few years it seems like I get a post that blows sky high."

"I don't know how you stand it," she said. "It's bad enough going through things here, but at least I'm in my own country. I don't think I could take a civil war or a revolution in a far away place like Pakistan or Africa."

"I'm beginning to think I can't take it any longer," Stuart said. "Or at least I don't want to take it any longer. I think living under the continual threat of being kidnapped, or going through all kinds of civil unrest must have an effect on your unconscious."

"Of course it does," she said. "I feel like I'm shattered inside with just this news. I can't imagine what it must be like to experience violence. Have you ever had anything happen to you personally?"

"I've had several confrontations with mobs and violence, but one that was really terrible."

"Oh, what happened?" she asked, then holding up her hand she shook her head. "No, don't tell me. I don't think I want to hear about violence tonight."

He placed his glass on the table and took both her hands in his. "Soledad, I think I have to tell you at least part of it. I feel myself becoming very close to you, and there are some things that I want you to know about me. The first is that I have a wife, even though my actions may have led you to believe that I'm a bachelor."

"I thought maybe you did," she said.

"What made you think so?" he asked

"I don't know, Pete. These are things that one perceives through intuition."

"And you didn't say anything to me about it?"

"No. Why should I? It was really none of my business, and I thought if you wanted me to know, you would tell me."

"You're marvelous, darling. Very few people will concede that one's past is private, especially in relations between men and women." He paused and looked into her eyes. "Can I tell you what happened? I'll leave out the details of the violence. The incident in itself is horrifying."

"Yes, but let's sit down." She pulled him toward the sofa. "I'm looking forward to this with about the same enthusiasm that I would an invitation to spend an evening with the Spanish Inquisition."

"I understand that, Soledad, but I want to tell you so that we can place it in the past where it belongs. I don't want anything to mar our future." He picked up the glass from the table, took a swallow, then leaned back on the sofa and looked into the fire. He was silent for several minutes, then he took Soledad's hand in his own and looked at her.

"This happened in the Congo just after Katanga seceded, and the Simbas went on a rampage. Throughout the country they were murdering priests, raping nuns, killing civilians. It was total anarchy. Things happened so fast and communications were so poor that we couldn't keep up with all the stories of atrocities that were being committed.

Then, one of the worst tragedies in modern African history occurred. They started bringing in white mercenaries. Some of them came to the Congo to fight for their ideals, for what they believed, right or wrong, but the majority of them were degenerates recruited in every part of the world who saw the situation there as an opportunity to satisfy their own warped perversions. Homosexuals, drunkards, rapists, drug addicts, ex-Nazis, you name it. They were all there.

"As things deteriorated, we realized in the embassy that we were going to have to get the dependents out of the country, and we cabled for an Air Force plane to come in for the evacuation. The night before the plane was scheduled to arrive was a nightmare in Leopoldville. The mercenaries were drunk, and riding around town in jeeps shooting their guns, and taking what ever caught their fancy. We just prayed that we would get through the night with no incidents, but as it turned out, we didn't.

"My wife, Ruth, and I lived in an old colonial house in the diplomatic enclave, and we thought we would be safe until the next day. We had Ruth's and our son Tommy's bags packed and when I put him to bed that night he was so excited about the prospect of taking a trip on an Air Force plane that you would have thought it was Christmas Eve.

"We ate a light snack, and went to bed early ourselves, but I never really slept. All during the night I could hear gunfire as t he mer ce na ries continued their spree. Finally in the early morning I dozed off, and about three in the morning I was aroused by voices in the living room . I got out of bed, and walked down the hall where I stood in the doorway watching three men, silhouetted against the light from the outside security floodlights that came through French door where they had entered. They were fumbling around, obviously drunk, and they spoke a language that I didn't understand. The only words I recognized were diplomatiker and whiskey. I figured that they were just looking for whiskey, and that when they found the bar and got a bottle, they would leave. I just stood quietly in the darkness, watching them, and hoping and praying that nothing happened.

"Tommy's room was on the opposite side of the house. Apparently he heard the voices, was frightened, and got out of bed to come to us.

"'Mommy, daddy,' he said, and my heart started pounding. "I shouted to him. 'Tommy get back in your bed!'

"Asi de from being drunk, these men were savages, and they converted emotion into immediate action. One of them unslung a sub-machine gun and sprayed the room with one long burst. Then they ran from the house. The shots had missed me, but I was almost certain that they had hit Tommy.

"I turned on the lights and there he was, lying on the floor, the blood already seeping through his sleepers. I thought I was going to faint, but I ran to him. It was no use. He was dead.

"From the doorway I heard Ruth calling and I yelled at her. 'Ruth, don't come in here!'

"'Pete,' she screamed. 'What happened?' She rushed into the living room, and when she saw Tommy she moaned and sobbed. I have never seen such grief or shock in a human being, and I never want to see it again. I didn't know what to do, but I went to her and took her in my arms. Suddenly she stopped screaming and sat down in a chair in a total catatonic stupor."

"Oh, Pete, how horrible," Soledad said and reached over to embrace him. "What a horrible, horrible nightmare. I don't know how you survived."

"I don't know how I survived myself, Soledad. I can't describe the emotions that I went through. I felt like my chest had been ripped open with a knife and my insides just pulled out of me. Every once in a while I still have a nightmare and wake up with that same feeling. I had it the other morning when I heard the gunfire here in Quito."

"It must be terrible," she said. "I wish there was something I could do to wash your memory."

Stuart stood up and picked up his glass. "I'm going to have another drink."

"I'll get it for you," she said and took the glass from him.

"There's still a bit more to the story, Soledad, so I might as well tell it all to you right now."

"All right, Pete. Sometimes talking about things makes them seem less important." She put her hand on his face and rubbed the stubble of his beard. "Talking can even make things go away completely."

"You don't know how much I wish that would happen," he replied.

Returning to the sofa, she sat down and curled her legs under her. "I'm ready," she said.

"Before going down to the Congo I was in Madrid, and one of the last assignments I had was to work on a very secret arms sale. Through a very complicated network of front men, cut outs and covers we sold a lot of arms to Moises Tshombe, who later with the backing of some big Belgian mine owners, was to lead the Katanga secession. The irony is that the guns used to kill Tommy were the same guns that I sold."

"Oh, Pete, that's terrible, but you shouldn't feel guilty. You had no way of knowing what was going to happen."

"Selling guns to irresponsible people is in itself and irresponsible act, and I can't forget that," he said. "Ruth has never let me forget it either."

"Where is Ruth now?"

"In California. She's an angry and bitter person, and she blames me for everything."

"That's unfair of her," Soledad said. "It's very convenient to have you to blame, but you very conveniently go along with her by feeling guilty."

"How does one rid himself of guilt, Soledad? I don't mean intellectually rid yourself of guilt. How do you cleanse your soul, your insides? How do you stop the dreams?"

"Faith, Pete," she replied and reached for his hand. "Faith and admitting that you made a mistake. We all make mistakes. They don't all lead to such tragic consequences, but everyone has something in their past to regret. You and Ruth are not divorced?"

"No," he replied. "She's never asked for a divorce, and I suppose that I've stayed married to her out of the same feelings of guilt. To divorce her seems like it would be just one more burden for me to haul around."

"How long ago did this happen?" Soledad asked.

"Ten years ago."

"Ten years are a lot out of a lifetime. If she can't forgive you, you have to make peace with yourself and God, and get on with the business of living."

"You never cease to amaze me, Soledad. You have such wonderful insight into the workings of the human heart."

"You're rather sensitive yourself, Pete. Let's finish this drink, and then I'll get you a blanket. I hope you won't mind sleeping on the sofa, it's fairly comfortable."

"As an uninvited guest, I should be thankful that you didn't throw me out into the streets and leave me to the mercy of the paratroopers," he replied.

"Nonsense, I would never do that, and especially not to you." She touched her glass to his. "Cheers."

"Cheers," he replied, and did feel a bit more cheerful with the catharsis that comes with talking and sharing a painful experience.

"What are you working on now," she asked, "or can you talk about it?"

"Oh, a little bit of behind the scenes diplomacy on this ICC business," he said. "Would you mind if I call the Marine Guard at the embassy and leave your number? Someone may try to get hold of me for any number of reasons. I don't need to tell them whose number it is."

"Of course you can give my number, and you can tell them where you are if you want. I'm not worried about my reputation in the American Embassy. Maybe I should be. They might refuse me a visa sometime for having been so immoral as to allow a man to spend a night in my house."

"If you have any trouble you just let me know, and I'll tell the Consular Section that it was all above board."

"You mean above the sheets," she said and smiled.

He laughed. "Right, above the sheets. Where's the phone?"

"Right there on the book case."

Getting up from the sofa, he walked to the phone and dialed.

"American Embassy, Marine Guard."

"This is Pete Stuart. I won't be at home tonight, and if you should need to get hold of me I'll be at 76-414."

"Okay, Mr. Stuart. I've got it noted down in the log. Several people have called in tonight saying that they wouldn't be at home. I guess the parties will last a little longer than usual."

Stuart laughed again. "I guess they will." He hung up and when he turned around Soledad was standing at the end of the sofa with a heavy blue Otovalo poncho in her arms. "All I have for a blanket is this poncho, but I think you'll be warm enough with it. I'm going to let you go to bed now. You look like your tired. Goodnight, Pete."

He walked to where she was standing and kissed her. "Goodnight, Soledad. I'll see you in the morning."

After turning off the light, he pulled his clothes off and stretched out on the sofa under the rough wool poncho. The wind driven rain beat a fierce tattoo against the windows and high open beamed ceiling of the roof. From somewhere out on the streets came the undulating shriek from the siren of an emergency vehicle, and he wondered what might have happened. In the middle of the night all things take on an exaggerated significance, and he thought about what would happen if everything really did blow and this turned into a civil war. His thoughts then returned to that night in the Congo, but he pushed them aside and into the past where he wanted them to stay. Just before dropping off into an uneasy sleep he focused on the portrait of Soledad's mother, and he thought how much more beautiful she was by firelight. Perhaps she had intended it that way. All women know that their faces are more haunting and mystical by fire and candlelight.

Low grey clouds hung outside the studio when he awakened, and he experienced that feeling of disorientation that one has when waking in strange surroundings. There were a few brief seconds when he was unable to establish his whereabouts in the half light of the dawn, and the room was totally unfamiliar. The fire had burned out, and he pulled the poncho closer to him to ward off the early morning chill. From the bedroom he heard Soledad mutter something in her sleep, and then the memory of the previous night fixed him in his surroundings. He wondered for a few moments if he should leave, but decided against it. The curfew would remain in force until six o'clock, and that was still an hour away. After having spent the night, it seemed foolish to risk an incident by rushing things by one hour.

"Pete," he heard Soledad mumble from the bedroom, and he threw back the poncho, and walked to the side of her bed. She was still sleeping. He slipped in the bed beside her, and drew her close to him. "Me aceptas?" he whispered.

"Um," she sighed, still half asleep. "I was just dreaming about you."

"What were you dreaming?"

"You were making love to me," she said and pressed her long body against him.

"Like this?"

"Uh huh."

The tensions and anxieties of the past several days ebbed out of him with Soledad in his arms, and he dropped into a trouble free sleep.

CHAPTER 20,

Quito, Ecuador - 1971

Stuart was not unattractive to women, and he rarely had trouble satisfying his physical needs. A willing tourist picked up in a hotel bar, or an occasional school teacher spending a sabbatical year abroad frequently found herself sharing his bed, and he was a much sought-after dinner companion for embassy wives when they entertained divorced or single girl friends who were their house guests. More than once he had been described by a Foreign Service wife to one of her sorority sisters or college roommates with such statements as "There's the most divine officer in the Economic Section who I've invited for dinner tonight. He lives alone, but if the right woman came along I think he's available." And not just a few wives had made it clear that their own bodies were available to him. He had a puritanical belief in the sanctity of the relationship between husband and wife, however, and he discreetly demurred when these offers were made.

Soledad was no less popular with men; however her commitment and dedication to her work had inevitably come between her and the men that had come into her life, and only three weeks earlier she had ended a long-standing affair with a married man. What had started as a convenient and romantic fling had become a drain on her, and their mutual guilt had reduced the relationship to constant quarrels and bickering. Aside from the fact that he was married, her independent attitude and self sufficiency had clashed with his possessive Latin machismo that demanded that women be passive and dependent. Moreover, he had no intention of leaving his wife, and wanted Soledad only as a diversion. During a visit to Madrid where he came to see her she had told him of her wish to end the affair but he refused to hear what she had said to him. When she returned to Quito she saw him again, which only reinforced his denial, but after their last afternoon together she had repeated her request, and she had not seen or heard from him since. If she had any doubts about her feelings they ended after she and Pete had made love together.

When they awakened again, Pete was aware of a rosy glowing sensation that seemed to radiate from Soledad's body to his own. Turning over in the bed he looked into her cool green eyes, and he was pleased to see that her own expression was one of peace and contentment.

"Now what are you going to tell the Consular Section if they refuse me a visa?" she said, and smiled.

He reached for her hand and lightly kissed her finger tips. "I'll have to fall back on my old diplomatic skills and tell a lie."

"I wouldn't want you to tell a lie for me," she said, slipping her arms around him. "Couldn't you tell them the truth. Couldn't you tell them that you love me. The truth is really more beautiful."

He kissed her lightly and he could feel desire swelling in him again. "I think I will tell the truth. I think I'll tell the Consular Section, the Political Section, the CIA, and the ambassador too."

"I don't have such an impressive array of dignitaries to tell, but I think I'll tell my aunt. She'll be pleased to know that I'm in love, and that someone loves me. She worries about me. She's always told me that a person can't be complete without love, and now I know she's right. Love me, Pete. Love me now."

"I love you, Soledad. I love you very much."

She closed her eyes and let his words flow into her, and then he found her and again they were one.

He dozed again and when he woke she was running a brush through her hair where she stood in front of the mirror opposite the bed. "Do you drink coffee in the morning?"

Sitting up in the bed he looked into the mirror at her face. "Yes," he said. "Lots of it. The first thing I do in the morning is ring the bell for my maid to bring my morning coffee."

"Well, I don't have a maid, but I'll be glad to bring you a cup of coffee."

"Actually, I don't have a maid either," he said. "I have Merche."

She turned to face him. "Oh," she said. "Who is Merche? Should I be jealous?

" "Not hardly, darling. Merche is a sixty-year-old Basque who has been with me since I was in Spain. She's a magnificent cook, and she knows my ways better than I do."

"I am slightly jealous," she said. "I don't want to share you with anyone, but I guess a sixty-year-old Basque woman can't be too much of a threat. Besides, I'm a pretty good cook myself." She walked to the side of the bed and leaned down and kissed him. "Eventually, I'll learn your ways too, Pete. I'm looking forward to learning your ways."

The telephone beside the bed rang and she jumped from surprise. "Who can that be? No one ever calls me this early in the morning." She picked up the receiver. "Hello, yes he's here."

Handing the phone to him she smiled. "It's a very nice sounding American voice who would like to know if Mr. Peter Stuart is here."

He took the phone from her. "This is Pete Stuart," he said.

"Pete, this is Rex Martin from the Political Section. I'm the duty officer, and I just had a call from a man named Ray Melvin. When I told him you weren't here he asked for your home phone, but you know we don't give out home telephone numbers. I told him that I would try to get hold of you and have you call him back. Do you know who he is?"

"Yes, I know him," Stuart replied. "I'll call him. How does the situation look this morning. Rex?"

"I haven't heard a thing, Pete. No one has come into the embassy yet, but it all looks quiet to me. It was a typical Saturday morning driving to work."

"Good," Stuart said. "If the ambassador comes in tell him that I ha d a c all f rom Melvin, and that I'll be in touch with him if Melvin has anything new to report."

"Okay, Pete."

Stuart dialed the Hotel Quito and asked for Melvin's room.

"Stuart?" He was expecting the call.

"Yes, Good morning."

"I've heard from my people in Washington. Can you come by the hotel?" He wasted no words.

"Sure," Stuart replied. "Right now?"

"Right now is fine with me. The quicker I get this business settled, the quicker I'll be on my way out of here."

"I'll be there in about an hour. In your room?"

"Yeah. I'll be waiting for you." He hung up.

What an asshole, he thought. He thinks that all he has to do is get on the phone, and I'll come running. The trouble is that he's right.

He replaced the receiver. "Well, I've got to go over to the Hotel Quito, and then I'll probably have to go into the embassy." he said.

"Don't you ever get a day off?" she said. "It's Saturday."

"The machinations of governments and big corporations don't seem to take notice of weekends," he said.

"Can you come back later?"

"Do you think anything could keep me away," he said, taking her in his arms and kissing her.

"I thought you might have one of your dinner parties or a reception," she said.

"I don't have anything planned, and I don't think I could take an evening of standing around drinking. Anyway, the curfew may be on again tonight."

"Why don't you come here for dinner then," she said. "What do you like to eat?"

"I like all kinds of things. Whatever you want to cook."

"Do you like Spanish food, paella?" she asked.

"I love paella, but that's a lot of trouble."

"Nothing is too much trouble if you love someone," she said. "I'll have to go and shop for the shrimp and clams. I have pork and chicken." She was talking more to herself than to Stuart.

"It sounds like a lot of trouble for you."

"Nonsense. I want to do it," she replied, "but I'll have to do it this morning. I promised Luz de Galan that I would come by her gallery this afternoon. She's having an opening, and all of the diplomats and politicians will be there. She needs a few artists around to add color and texture. We painters have to help one another in getting money out of the oligarchy."

"Aren't you ashamed of yourself?" he said. "Conspiring to rip off the oligarchy?"

"What does rip off mean?" she asked.

"I'm sorry," he said. "You speak English so well that I forget that you don't know all of the American slang. Rip off means to steal from or cheat someone."

"Then it's the oligarchy who are ripping us off. They never want to pay what you ask for a painting. They all want something for nothing."

"Poor exploited artist," he teased her.

She put her head on his shoulder. "Yes," she said. "Poor me. I need someone to protect me from the greedy bourgeois. Will you protect me?"

"That sounds like a perfect role for an American. A defender of the poor and exploited." He kissed her lightly on the ear. "I could stay this way all day. Just talking nonsense and holding you, but I have to get going. Mr. Melvin is waiting and I have to go home and shave and change clothes."

The storm was breaking, and the little Andalusian patio was bathed in sunlight when he left the house. He felt light and optimistic. Somehow or another things were going to work out on all scores, he felt.

CHAPTER 21

Quito, Ecuador - 1971

Melvin was still dressed in pajamas and a wool tartan bathrobe when he opened the door to his room to admit Stuart; in his hand he held a Bloody Mary. The still unmade bed was strewn with pages of the previous day's Miami Herald, and on a serving cart were the leftovers from breakfast and a pitcher of tomato juice. "How about a Bloody Mary, Stuart?"

The offer was appealing, but Stuart declined. "No thanks, I try to avoid drinking before noon," he replied.

"You're a rare bird. I thought you Foreign Service people drank all of the time."

"We do our share, but we have occasional lapses of sobriety."

"Lapses of sobriety," he laughed. "That's pretty good, Stuart. Okay, sit down. I've got some good news for you. Now we're going to see what kind of diplomat you are." Melvin sat down in the chair in front of the window and Stuart took the straight backed chair by the desk along the wall. "My people have been doing some leg work and checking around Washington, and they found just what we're looking for," Melvin said.

"Oh, what's that?" Stuart asked.

"A nice little twenty million dollar AID loan sitting down here that's all ready for disbursement," Melvin said.

"What's such good news about that?"

"it's good news because that's where the money to pay off our claim is coming from."

"I don't think I quite understand how you propose to use an Alliance for Progress loan to pay off a claim that your company has against the government," Stuart said.

"Don't jump to conclusions, Stuart. I'm not so naive as to think that the U.S. Treasury is going to pay off debts to ICC for the Government of Ecuador, but the Central Bank of Ecuador will if the government tells them to do it."

"I'm afraid I don't follow you," Stuart said. "What's this loan for?"

"It's for land reform, but that doesn't make a hell of a lot of difference. The important thing is that the loan is there. Here's the situation, Stuart.

"This loan is signed, sealed and ready for disbursement, and it calls for an advance to the government of five million dollars. The reason the funds haven't been advanced is that there's been a problem with your AID Mission. They won't disburse the money because they claim that the organization to implement the loan is not in place."

"That's probably true. This government lacks a lot of organizational skills," Stuart said.

"Of course it's true," Melvin snarled. "And I doubt that this bunch of colonels is any more committed to land reform than the previous government was. Those guys know that the first hacienda that they break up will put them right back in the barracks, but that's beside the point. All I want the government to do is say that they are in favor of land reform, and say that they accept all of the recommendations that your AID Mission has made about how to implement the loan. That way you give them the initial advance, and they've got the money in the bank to pay off our claim. Pretty neat, isn't it?"

"You seem to have all of your facts down," Stuart said. "In fact, you know more about what's going on down here than I do."

"It's my business to know what's going on down here, and in Washington too." He dropped the note pad from which he had been reading on the table next to him.

"It's ironic that you should be pressing to get AID money disbursed to the Government," Stuart said. "I thought your company would be pressing to invoke the Hickenlooper Amendment and stop all AID lending."

"Don't be misled, Stuart. If they don't come up with a settlement, we will press for a suspension under the Hickenlooper Amendment, an we'll get it. Just for your information, the Hickenlooper suspension would apply to the three new loans that you've got pending up in Washington, and not to this one which is already signed. I know what I'm doing."

"You sure as hell do," Stuart replied, "but I'm not sure that I understand."

"Let me give it you in very simple terms. Money in the bank all looks alike. The government accepts all of the conditions precedent to disbursement; you give them the advance, and they pay off ICC."

"What about the land reform program?" Stuart asked.

"You can walk down to the Central Bank any time you want and they'll show you a ledger card that says they've got five million dollars on deposit for a land reform program. Who in the hell is going to know if there's any money in the bank to cover the deposit. The bank can do what ever it wants with its foreign exchange."

"I don't know that much about how AID works, but my first blush is that it won't work," Stuart replied with skepticism, but not entirely convinced in his mind that it would not work. The truth of the matter is, he thought, that it seems entirely feasible, and it frightens me to think of the enormous power that ICC has.

"It'll work, Stuart, if they want it to work." Melvin said. "It's just like all of the rest of these crazy Alliance for Progress loans. These governments come up with hare-brained schemes, and you guys fork over the dough to them. Nothing ever gets accomplished, but they get the money. You know that as well as I do."

"I don't know, Melvin. I'll have to look into all of this," Stuart said, stalling for time to let the whole thing sink in. "I can talk to Jorge Chiriboga over the weekend, but I can't do anything over at AID until Monday."

"You handle it anyway you want, Stuart," Melvin said with a tone of self satisfaction. "I think I've done my share to getting this thing wrapped up."

You sure have, Stuart thought. You've figured out a way to rip off the U.S. Treasury, and that's no mean accomplishment. "Okay, Melvin. Let's assume that this scheme of yours can be worked out. How much will you settle for?"

Melvin took a sip of his Bloody Mary, and stared at Stuart for several seconds, and Stuart had a vision of a computer console with the lights flashing as compu¬tations were made. "I want five million dollars, paid into our account in New York. That will cover the properties which we'll value at three million, plus the severance pay which they pay out of unrepatriated profits which we're holding in local currency. At the phony official rate they've set, that comes to two million dollars."

"I don't think I understand what you mean about unrepatriated profits," Stuart said.

"When Chiriboga said that we had been taking twenty million a year out of here he was wrong. They haven't let us repatriate our profits for years. They don't have the foreign exchange to sell us dollars," Melvin said. "What I do have is about two million in worthless Ecuadorian currency, which along with all of the rest of our property, I'll sell to them, at the official rate. They can use that money to pay the severance pay."

"What about the Bogota link?" Stuart asked.

"When we started this thing I told you that ICC was reasonable, and I'm going to show you that I meant what I said. If they come up with five million in cash, I'll throw in a year's free handling of their traffic through Bogota. By that time they can get a land station built and start using a satellite. Then they won't need us."

Suddenly the whole thing came together in Stuart,s mind, and he could see how every piece of the puzzle fit together, and he also had a sudden urge to be away from Melvin. The only word he could think of to describe what he felt was sleazy. Melvin was sleazy, and Stuart felt sleazy about himself just being close to him. "Okay, I'll see what I can do," Stuart said. "I'll get back to you on Monday." He got out of the chair and walked toward the door.

"That'll be fine, Stuart.

GO TO CHAPTER 22

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Gene McCoy © August, 1998

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